The artistic voice Perjovschi Lia and Dan has been evolving and growing with events that have plagued Romania-from Ceausescu regime to inclusion of Romania in the EU in 2007 -. Their voices remain in the footsteps of an austerity policy and censorship that have been transmuted into a working method simple and straightforward. His social commitment forced to leave intact the idea against of the media leading the era of globalization.
scathing By actively seeking and educate humanity into the performance space of this artistic couple.
The means of expression par excellence of Dan Perjovski is drawing. Your "canvas" as a graffiti artist, is the wall closest and geographically marginalized or preferably, in his words, "surplus." And their are other tools that would be used in a classroom at the school: markers, pencils, pens, chalks, etc. While undoubtedly, the preferred tool is the irony that Dan uses in all its images, analyzes and criticizes his drawings that surrounds it, which is concerned, I do not understand. Because of the austerity and harshness of the dictatorship that the country suffered its artistic language became honest and straightforward with a burlesque.
Lia contrast blasts all those years of isolation with the information, ie, attempts to inventory and retrieve all information that has been lost, which has been censored and retrieve historical data is of interest. If Dan Perjovschi is expressed by the graphic drawing cartoon comic mode does Lia Perjovschi with timelines, mind maps, in short, calls for the Knowledge Museum. claims that the museum is an information base and that turn it stimulating and improving the knowledge of every visitor regardless of their location, condition and profession.
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